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Larry and Debby Kline
Press Releases and News
October 21, 2004 -- Larry and Debby
Kline in Exhibition at SF Camerawork
FOR IMMEDIATE RELEASE
Event:Opening of Monument Recall Public Memory
and Public Spaces at SF Camerawork, San Francisco, California.
Curated by Laurie Blavin, Paula Levine, and Trena Noval.
Date/Time: Opening: Tuesday, October 26, 2004, 5-8 PM.
Open from October 26 - November 24, 2004
Address: 1246 Folsom St., San Francisco, CA 94103
Contact: Debby or Larry Kline, 760.432.9436, inkline@inetworld,net or
dekline1@yahoo.com or SF Camerawork, 415.863.1001
Artists, Debby and Larry Kline are included in the exhibition along with
Shimon Attie John
Roloff
Boym Partners Stephanie Snyder
and Aaron Day
Thomas Kellner Eva Sutton
Germaine Koh Lex Thompson
Tony Labat
Wang Qingsong
Manuel Piña
KW:a-Mabel O. Wilson + Paul Kariouk
Public works/installations by Debby and Larry Kline, Mark Brest van Kempen,
David Maisel, Jeannene Przyblysky and San Francisco Bureau of Urban Secrets.
SF Camerawork offers a bus tour of the public monument sites, between
San Francisco and Sears Point (Sears Point location displays light sculpture
by Debby and Larry Kline, titled: Encryption) on Saturday, November 20,
2004 from 3 – 8 PM
$12/$10 members, students and seniors; includes dinner.
Online exhibition: Improbable Monuments at
http://www.sfcamerawork.org/improbablemonuments.htm
beginning on October 26, 2004.
Visit http://www.sfcamerawork.org or http://www.jugglingklines.com to
learn more.
BIO
Debby and Larry Kline create issue-oriented artwork that addresses political,
economic and social issues. Their untraditional approach to public
art was rewarded with two grants from Gunk Foundation, New York as well
as a grant from The Potrero Nuevo Fund, San Francisco. Their work
can be found in numerous corporate and private collections.
This month the Klines lectured for the Art and Science Forum at the Jonas
Salk Institute for Biological Studies, La Jolla, CA. Their work is
featured in the current (September/October) issue of Orion Magazine as well
as the upcoming issues of Public Art Review.
October 1, 2004 -- Artists Larry and Debby Kline to Speak
at The Salk Institute
FOR IMMEDIATE RELEASE
Event: Artists, Larry and Debby Kline, to Speak at The Salk Institute
Date/Time: Thursday, October 7, 2004 at 6:30 PM
Location: The Salk Institute Fellows Room,
Contact: Debby or Larry Kline, 760.432.9436, inkline@inetworld.net or
dekline1@yahoo.com
The worlds of art and science will be brought together at The Salk Institute
this week through a presentation by artists, Debby and Larry Kline. The
Klines have been invited to speak at The Institute as a result of the success
of their works, such as their highly-visible “Electric Fields of California,”
that marry physics and logic to aesthetics and social statements.
Debby and Larry Kline are Escondido, California-based artists whose work
addresses political, social and economic issues. The nature of their creative
thinking questions the status quo. They also recently curated the Oceanside
exhibit of room-sized installations titled: "Generation to Generation:
Contemporary Assemblage" at the Oceanside Museum of Art. Debby was the
acting Museum Director of the California Center for the Arts Museum and
the past president of COVA.
Examples of projects are:
"Periscopic Tree for Homeland Security", a sculpture in place at the
San Diego Harbour 100 yards north of the Star of India which questions
our Administration's concerns (or lack) of security issues facing the harbour
of San Diego.
"Electric Fields of California" is an installation of fluorescent light
bulbs strategically placed beneath electrical power towers creating an undulating
light that is both eerie and beautiful; a reflection of California's energy
crisis and the current concerns for public safety. Funded by the Gunk Foundation,
NY and the Potrero Nuevo Fund, San Francisco.
Most recently these artists were awarded their second grant from the
Gunk Foundation for their art piece" The Game at Hand" which addresses
America's current global conflict. While appearing to be a beautifully
hand-made chess set, one realizes the futility of this game. It is unplayable
or at least cannot be conducted fairly.
Debby and Larry Kline are very thoughtful artists whose insights into
regional and global issues will be sure to stimulate The Forum members and
should lead to an evening of delightful discussion.
Ron Newby
(858) 755-3020
ronnewby@san.rr.com
The Fellows Room is located in the North building, 5th floor in the very
northwest corner of The Salk Institute. The gate is located at this corner
on the 3rd (or middle) floor. The gate usually remains open until about
6:30. However, if it is closed, wait until someone exits, which is quite
often at this hour. To receive directions and/or a map by fax, please telephone
or email Ron Newby (© 2004 The Art & Science Forum)
September 3, 2004 -- The Electric Fields of California
Featured in Orion Magazine
Artists Debby and Larry Kline have been included in this month’s edition
of Orion Magazine (September/October 2004). The Kline’s artworks
from the series, The Electric Fields of California are highlighted in an
article titled, “Unplugged.” View work at www.jugglineklines.com.
The Electric Fields of California are partially funded by the Gunk Foundation,
NY and the Potrero Nuevo Fund, San Francisco, CA and will be on view at
SF Camerawork, San Francisco beginning October 26, 2004
“Orion explores an emerging alternative world view. Informed by
a growing ecological awareness and the need for cultural change, it is a
forum for thoughtful and creative ideas and practical examples of how we
might live justly, wisely and artfully on Earth.” - Orion Magazine.
July 9, 2004 -- Debby and Larry Kline Receive
Second Grant from Gunk Foundation
FOR IMMEDIATE RELEASE
Artists, Debby and Larry Kline wish to announce that they have been awarded
their second grant from the GUNK FOUNDATION, New York. This grant
is awarded to travel the artists’ work titled: THE GAME AT HAND.
The game of chess has always been a metaphor for conflict and war. THE
GAME AT HAND addresses America’s current global conflicts, and is a poignant
commentary on US involvement in both hot and cold wars in the Middle East.
At a distance, this piece appears to be simply a beautifully hand-made chess
set. Closer inspection, however, reveals the futility of this game.
As viewers are encouraged to play, it becomes evident that the game is unplayable
or at least cannot be conducted fairly.
The most striking feature of this set are the rows of burka-clad figures.
Their presence can be understood in many ways. The obvious observation
is that they appear to be unarmed. Does this speak of the slaughter
of innocents or combatants in disguise? How does one determine one’s
enemies and how does one determine rank amidst disguises? Perhaps
the burka-clad figure’s lack of individuality speaks of the need to stereotype
and dehumanize one’s enemies. The American footsoldiers also lack
individuality. The reality of war is that military strategists cannot
afford to mourn the loss of individuals.
Replacing one of the traditional bishops on the American side is a figure
modeled after Rabbi Sandy Sasso, one of the first ordained female rabbis
in Jewish history. Her presence on the board as a spiritual leader
addresses issues of women’s rights, American opportunity as well as referencing
the ongoing conflict in the Middle East.
THE GAME AT HAND encourages cultural dialogue and gives permission to
openly discuss deeply rooted fears. Recently exhibited at the Cross-Cultural
Center at University of California, San Diego, the work led to many hours
of discussion among university students and visitors. The piece brought
together disparate cultures on common ground – the playing field of war.
Many parks and neighborhoods are known for street chess matches.
In New York there are ongoing games at Times Square and Washington Square
Park; Santa Monica features International Chess Park; Los Angeles - Leimert
Park, Chicago - North Avenue Beach, San Francisco - Market Street.
The Klines will travel THE GAME AT HAND to some of these sites and videotape
the chess matches. Soldiers returning from the Middle East related
positively to the game and indicated that they did not know who they were
fighting.
Conceived during the conflict in Afghanistan this piece remains relevant
as we try to make sense of the political landscape in Iraq. This
work will continue to act as a catalyst for commentary regarding our nation’s
general uncertainty concerning involvement in Middle Eastern affairs.
Although the players may change, the cultural divide will certainly prove
problematic for years to come. Attached you will find 2 jpeg images of the
completed chess set.
You may view more of their works at the following web addresses:
www.publicaddress.us/DebbyK.html
and www.publicaddress.us/LarryK.html
. Please contact the Klines via email dekline1@yahoo.com or inkline@inetworld.net
or by phone at 706.432.9436.
June 11, 2004 -- Debby and Larry Kline Receive Additional
Funding for Electric Fields Project
Artists, Debby and Larry Kline wish to announce that they have received
a grant from San Francisco's POTRERO NUEVO FUND to accomplish the final installation
of The Electric Fields of California. The project will culminate with
an installation at Sears Point Farming Company, located on Tubbs Island
in Sonoma County, CA. The installation will also be included in Monument
Recall, an exhibition at SF Camerawork in October. Images from other
sites will be on view at the gallery.
The installation will be located on Highway 37 about a mile east of Highway
121, and will be available for viewing for approximately six months.
The property is fenced and the owners have asked that viewers respect their
privacy and view the piece from the road.
About the Project
The first incarnation of this work, Mother the Cows are Glowing, was
initiated in 1983, as a column of fluorescent bulbs installed beneath power
lines on an Indiana farm. At this location it was noted that the horses
kept their distance from the fences and, in fact, the wooden fence posts
vibrated from the electromagnetic fields on this property. In 2001,
as a response to the California energy crisis, the artists decided to expand
the work to locations across the state of California. Initial funding
was received from the Gunk Foundation, NY, in July of 2001. This artwork
has been published in Public Art Review and is currently slated for publication
in Orion, an environmentally conscious magazine with an international circulation.
A study conducted in 1991 by National Research Council (NRC) found no
discernable public health effects relating to exposure to EM fields transmitted
by high voltage electrical lines. This finding seems inconsistent with
later NRC research, which reviewed epidemiological studies and concluded
that children living in homes with high magnetic fields have a 1.5 times
greater risk of developing leukemia. Considerable controversy remains
regarding the voracity and conclusions of these studies. From the viewpoint
of the artists, however, it seems logical that as humans are essentially
electrical beings, exposure to strong EMFs could have a physiological effect.
The Klines' experiences during installations have proven alarming.
The electromagnetic fields at the Ontario vineyard were powerful enough
to cause the grapevines to vibrate! The Klines have also received
mild shocks when working beneath the power lines, at one point witnessing
sparks arcing between the steel supporting rods and aluminum levels used
to adjust the angle of the rods.
Attached you will find the press copy that includes additional details.
Artwork Description Debby and Larry Kline
The Electric Fields of California is an art installation that addresses
health and environmental concerns surrounding current methods of electrical
transmission and creates a seductive and beautiful effect that brings a new
perspective to the western landscape.
The piece consists of a series of outdoor light sculptures, using ambient
electrical fields beneath electrical power lines to illuminate fluorescent
light bulbs. High voltage power lines generate an electrical field
strong enough to excite the plasma in fluorescent light bulbs at ground
level without any electrical connections. The light emanating from
the bulbs display the stunning fluid motion of the charged plasmas.
Those who visit The Electric Fields of California are often struck by the
incongruity of the peaceful, spiritual nature of the experience and the
conscious realization that the pieces exist within environmentally hostile
spaces. At one installation site (located in a vineyard just east
of Los Angeles), the electromagnetic fields are so powerful that the grapevines
vibrate. Due to increasing property costs, land is being developed
in close proximity to power lines. This artwork helps to expose the
potential dangers of EMFs to the general public in an aesthetically pleasing,
yet shocking visual experience.
When the project is complete, the fluorescent installations will trace
the power grid across the state of California from the US/Mexico border
to Sacramento. The first installation, subtitled Cathedral Gate, is
in Kettleman City, California, located midway between Los Angeles and San
Francisco. This site is near the intersection of Interstate 5 and Highway
41, at the entrance to the Chevron PipeLine Company. Installations
are also complete in Ontario, California, and at the eastern edge of the
Salton Sea near the town of Niland. The Klines have been collaborating
with a physicist to create a video, which explains the associated science
in layman's terms.
The Klines are now working to conclude the project with installations
in the San Francisco area. The project will culminate in an exhibition
of documentary photographs of the various installations at SF Camerawork
(San Francisco) in October of 2004. They would be happy to further
discuss the project with you at your convenience. You may view more of their
works at the following web addresses: www.publicaddress.us/DebbyK.html and
http://www.publicaddress.us/LarryK.html.
Attached you will find a jpeg image of one of the completed sites.
You may contact the Klines via email or by phone at 706.432.9436.
November 14, 2003 -- Completion of
Periscopic Tree for Homeland Security
Dear Friends and Associates,
We have completed our public art project for the Port of San Diego! The
dedication will be this Saturday, November 15th at 10:00 am on Broadway Pier.
The work is located to the right of the Star of India near the edge of the
embarcadero (Harbor Drive). It is located strategically so you can
view the airport and navel ships as well as portions of the city through
the periscope. The Star of India also sets sail at 9:00 am on
Saturday. We invite you to attend and watch the festivities.
Periscopic Tree for Homeland Security
San Diego plays a major role in maintaining the national security of
the
United States. Our nation’s leaders have informed the citizenry
to
remain ever watchful and alert. In light of this new environment
and
San Diego’s history as a part of the military industrial complex, we
have created an urban tree that helps to fulfill this purpose.
The
Periscopic Tree for Homeland Security is fitted with optics, making it
a
working periscope. Placed on Harbor Drive near the Star of India,
viewers are encouraged to maintain a constant vigil, and to play an
active role in our national security by watching for potential enemies
through the viewfinder. True to it’s naval heritage, the
Periscopic
Tree is painted from trunk to sheet metal palm canopy in stylish
battleship gray. This piece addresses the current political landscape
with a sense of humor. We must be ever vigilant!
You may view the Port's website at:
www.thebigbay.com/urbantrees
April 3, 2003 -- Reception for Human Relations:
The Work of Debby and Larry Kline
HUMAN RELATIONS: THE WORK OF DEBBY AND LARRY KLINE
Art Closing Reception
Thursday April 3, 2003 5:00pm
At the UCSD Cross-Cultural Center Lecture Hall
Meet the artists in this special closing reception for Debby and Larry
Kline who create issue-oriented artwork that addresses political, economic
and social issues. Their untraditional approach to public art
was rewarded with a grant from Gunk Foundation, New York. Their
work can be found in numerous corporate and private collections.
Both artists have extensive museum backgrounds working at institutions
such as The Museum of Contemporary Art, Chicago, The Chicago Art Institute
and The Indianapolis Museum of Art. The artists work diligently to
foster a vibrant art community in southern California through their published
writings, lectures, organizational memberships, and their work as curators.
The Klines are members of Public Address, a group of public artists who
collaborate with city entities to create quality public art for the San Diego
region. Debby Kline is currently the President of the Board of COVA
(Combined Organizations for the Visual Arts.)
The Kline's work is currently on display at the Cross-Cultural Center
in the Business Lobby, Outside Lobby, Gallery, and Conference Room.
Don't miss this great opportunity to see awesome, thought-provoking untraditional
public art and hear from the artists who create it!
Light refreshments will be served.
For more information please contact the Cross-Cultural Center at
(858) 534-9689 or cccenter@ucsd.edu
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